A Washington Post Best Nonfiction Book of the Year In the spirit of Fierce Attachments and The End of Your Life Book Club, acclaimed novelist Brian Morton delivers a "superb" (Maureen Corrigan, Fresh Air), darkly funny memoir of his mother's vibrant life and the many ways in which their tight, tumultuous relationship was refashioned in her twilight years. Tasha Morton is a force of nature: a brilliant educator who's left her mark on generations of students--and also a whirlwind of a mother, intrusive, chaotic, oppressively devoted, and irrepressible. For decades, her son Brian has kept her at a self-protective distance, but when her health begins to fail, he knows it's time to assume responsibility for her care. Even so, he's not prepared for what awaits him, as her refusal to accept her own fragility leads to a series of epic outbursts and altercations that are sometimes frightening, sometimes wildly comic, and sometimes both. Clear-eyed, "deeply stirring" (Dani Shapiro, The New York Times Book Review), and brimming with dark humor, Tasha is both a vivid account of an unforgettable woman and a stark look at the impossible task of caring for an elderly parent in a country whose unofficial motto is "you're on your own."

Dmitri Shostakovich was the most popular Soviet composer of his generation. Internationally esteemed, he is widely considered to have been the last great classical symphonist, and his reputation has continued to increase since his death in 1975. Shostakovich wrote his First Symphony aged only nineteen and soon embarked on a dual career as concert pianist and composer. His early avant-gardism was to result in the triumph of his 1934 opera Lady Macbeth of Mtsensk. Though at first highly praised by Stalin, Shostakovich would later suffer from a complex and brutalising relationship with the Soviet dictator and the governments that followed him. In spite of this persecution, his Seventh Symphony was embraced as a potent symbol of Russian resistance to the invading Nazi army in both the USSR and the West. Though his later years were marked by ill health, his rate of composition remained prolific. His music became increasingly popular with audiences as he established himself as the most popular composer of serious art music in the middle years of the twentieth century.

A Washington Post Best Nonfiction Book of the Year In the spirit of Fierce Attachments and The End of Your Life Book Club, acclaimed novelist Brian Morton delivers a "superb" (Maureen Corrigan, Fresh Air), darkly funny memoir of his mother's vibrant life and the many ways in which their tight, tumultuous relationship was refashioned in her twilight years. Tasha Morton is a force of nature: a brilliant educator who's left her mark on generations of students--and also a whirlwind of a mother, intrusive, chaotic, oppressively devoted, and irrepressible. For decades, her son Brian has kept her at a self-protective distance, but when her health begins to fail, he knows it's time to assume responsibility for her care. Even so, he's not prepared for what awaits him, as her refusal to accept her own fragility leads to a series of epic outbursts and altercations that are sometimes frightening, sometimes wildly comic, and sometimes both. Clear-eyed, "deeply stirring" (Dani Shapiro, The New York Times Book Review), and brimming with dark humor, Tasha is both a vivid account of an unforgettable woman and a stark look at the impossible task of caring for an elderly parent in a country whose unofficial motto is "you're on your own."

This title is about Woodrow Wilson (1856-1924). It is September 1919 - a meeting hall in a small mid-Western city. A thin man is speaking to a sceptical audience about peace. He has already met the city fathers and has been warned that 'out here' what happens in Europe means very little. Even the late war scarcely impinged on the place, though it had been recognised that it hadn't been altogether good for trade and one or two local boys had died on the fields of France in the very last days of the conflict. The speaker was obviously impassioned, with a preacher's cadence to his voice, and particularly so when he promoted the idea of an international League of Nations to guarantee future peace and ensure that the war into which America had been lured in 1917 really was 'a war to end all wars'.It is noticed that the man is sweating and pale and that he pauses frequently to dab his lips. The price of his campaign for peace - and peace conducted with principle - seems to be a terrible struggle between strong belief on the one hand and failing reserves on the other. Woodrow Wilson will live for another five years, but his battle to convince America to join the League is lost and much of the vigour that marked his time as President of his country, as president of Princeton University, even as an enthusiastic college football coach, was left behind in the Hall of Mirrors at Versailles. This book will look at the life of Wilson, from his early years during the American Civil War, through his academic and political career and America's involvement in the First World War, to Wilson's role at Versailles, including the construction of his Fourteen Points, his principles for the reformation of Europe, and the consequences of Versailles for America and on later conflicts.

Richard Cook and Brian Morton's Penguin Jazz Guide: The History of the Music in 1001 Best Albums is an indispensible guide to the recordings that every fan should know. Richard Cook and Brian Morton's Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to the music. In this book, Brian Morton has picked out 1001 essential recordings from their acclaimed guide, adding new information, revising and reassessing each entry, and showing how these key pieces tell the history of the music - and with it the history of the twentieth century. These are the essential albums that that all true jazz fans should own, or - at the very least - have listened to, from Kind of Blue to lesser-known classics and more surprising choices. Full of fascinating updated biographical information, new quotes and interviews and, of course, highly opinionated and wittily trenchant critical reviews, the result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike. 'One of the great books of recorded jazz; the other guides don't come close' Irish Times 'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune 'The leader in its field ... If you own only one book on jazz, it really should be this one' International Record Review 'Indispensable and incomparable' NME Brian Morton is a freelance writer and broadcaster who for many years presented Radio 3's jazz magazine Impressions and In Tune. Richard Cook (1957-2007) was formerly editor of The Wire and edited Jazz Review. He contributed to many other publications, including the New Statesman and his books included Richard Cook's Jazz Encyclopaedia and It's About That Time: Miles Davis on Record.

This was to obtain more information about the newly-established reserve (the only one in Hong Kong) and the changes that had taken place on the seabed in the southern waters since they were dredged between 1992-1995, respectively, and, in the latter case, to see if there had been any subsequent benthic recovery.

Adam Weller is a moderately successful novelist, past his prime, but squiring around a much younger woman and still longing for greater fame and glory. His former wife, Eleanor, is unhappily playing the role of the overweight, discarded woman. Their daughter Maud has just begun a frankly sexual affair that unexpectedly becomes life-changing. Into each of these lives the past intrudes in a way that will test them to their core. With perfect pitch and a rare empathy, Brian Morton is equally adept at portraying the life of the mind and how it plays out in the world, brilliantly tracing the border between honor and violation. Here Morton tells his strongest story yet--a story about love, friendship, literary treachery, and what each of us owes to the past.

Leonard Schiller is a novelist in his seventies, a second-string but respectable talent who produced only a small handful of books. Heather Wolfe is an attractive graduate student in her twenties. She read Schiller's novels when she was growing up and they changed her life. When the ambitious Heather decides to write her master's thesis about Schiller's work and sets out to meet him--convinced she can bring Schiller back into the literary world's spotlight--the unexpected consequences of their meeting alter everything in Schiller's ordered life. What follows is a quasi-romantic friendship and intellectual engagement that investigates the meaning of art, fame, and personal connection. "Nothing less than a triumph" ("The New York Times Book Review"), "Starting Out in the Evening" is Brian Morton's most widely acclaimed novel to date.

Isaac and Nora haven't seen each other in five years, yet when Nora phones Isaac late one night, he knows who it is before she's spoken a word. Isaac, a photographer, is relinquishing his artistic career, while Nora, a writer, is seeking to rededicate herself to hers.
Fueled by their rediscovered love, Nora is soon on fire with the best work she's ever done, until she realizes that the story she's writing has turned into a fictionalized portrait of Isaac, exposing his frailties and compromises and sure to be viewed by him as a betrayal. How do we remain faithful to our calling if it estranges us from the people we love? How do we remain in love after we have seen the very worst of our loved ones? These are some of the questions explored in a novel that critics are calling "an absolute pleasure" (The Seattle Times).